EXIT - FIRST SHOW - 2009

PRIMER CUERPO

ART SERIES 41 | SNOW

541 PAUL DOEMAN – AK47S

542 PAULA LLOVERAS – SUPPER - STREK

543 HECTRUSO - CHUCRUT

544 MARISA CAMINOS – ENTRE COMILLAS  

545 ESLOMO - HATTAH - KEEP HEAD BUSY

546 REGINA FIZ – ARCO 2012 - QUEER WALK

547 MARIA ENRIQUEZ – FLORES - COLLAGES VOLUMÉTRICOS

548 KRAPOOLA – NO KONCIERTO - ACCIÓN SIN ACCIÓN

549 TOMOTO - FUEGOS - FIREWORKS (03)

550 FREDRIK LUND - SET - CITY ABSTRACTIONS

CON EL APOYO DEL MINISTERIO DE CULTURA

Open publication - Free publishing - More socioplastics

ART SERIES 46 | GLITTER | 10.2012

591 YAN NAZCA - ANIMAL QUE CAVA SU PROPIA TUMBA (2)
592 FREDRIK LUND - CAVES
593 SINQUENZA - HERE AND THERE - SUMMER COLLECTION
594 ESLOMO - MY EYES
595 PAUL DOEMAN - ROSEBUSH
596 MANUEL MAQUEDA - FLOWERS
597 PAULA LLOVERAS - DEEP BREATH - NORWAY
598 MARIA ENRIQUEZ - TAJOS
599 EL INTRUSO - FOREST
600 TOMOTO - TWINS (2) TESTIGOS 
601 MARISA CAMINOS - RASTROS (2) 
602 CLAUDE CHUZEL - THE LAST CARTRIDGE

INSTALACIÓN RELACIONAL

CON EL APOYO DEL MINISTERIO DE CULTURA

ART SERIES 47 | COCKTAIL | 11.2012

603 FREDRIK LUND - FOODSCAPES - NORWAY
604 KRAPOOLA - PARTY ARTY – BERLIN
605 DANINO BOZIC – SUN - PULA - CROATIA
606 YAN NAZCA - ANIMAL QUE CAVA SU PROPIA TUMBA (3) DESIERTO
607 PAULA LLOVERAS - LONG WINTER - NORWAY
608 MARISA CAMINOS - SALARIO (2) WINTER
609 TOMOTO - TWINS (3) TESTIGOS – TRONDHEIM | BERLIN 
610 SINQUENZA - LOS ESTADOS PELADOS - HERE AND THERE
611 INTIMIDAD ROMERO – VIAJES 
612 ESLOMO - MIMESIS - NEGRADAS
613 OMAR JEREZ – ESTADOS UNDIOS (3) INMERSIÓN
614 EL INTRUSO - DINÁMICA SONORA - ATARDECER - JAÉN
615 MARÍA ENRÍQUEZ - CHIVOS - MADRID
616 JAVIER PÉREZ ARANDA - HOJA ROJA - MADRID

INSTALACIÓN RELACIONAL 

CON EL APOYO DEL MINISTERIO DE CULTURA

Open publication - Free publishing - More 2012

ART SERIES 48 | PARTY | 12.2012

617 JAVIER PÉREZ ARANDA - LABORATORIO DE ACUMULACIÓN VITAL

618 FREDRIK LUND - CAVES

619 PAULA LLOVERAS – PHANTOM - NOT THERE

620 DANINO BOZIC – FOLD 

621 ESLOMO - BALDOSA HIDRÁULICA (2) NEGRADAS

622 TOMOTO - TWINS (4) MADRID OSLO - TESTIGOS DE LA DERIVA

623 ROBERTO EQUISOAIN - LA DOLOROSA (2) PARAGUAS - BERLIN

624 KRAPOOLA OOND GANDOOLA - FAKIRIN - BERLIN

625 MANUEL MAQUEDA - PIEDRAS (3) TOURVES 

626 YAN NAZCA - ANIMAL QUE CAVA SU PROPIA TUMBA (4) HAMBRE

627 FRANCISCO MATEOS - RIO DE LA PLATA 

628 CLAUDE CHUZEL - CIELS DE PARIS

629 EL INTRUSO – BANDA SONORA – 3X ONLINE ALBUMS

630 MARISA CAMINOS – BOSQUE POLIÉDRICO (2) 120 PENTÁGONOS

CON EL APOYO 

DEL MINISTERIO DE CULTURA

Open publication - Free publishing - More 2012

CONVERSATION WITH FREDRIK LUND | OSLO > TRONDHEIM

We walk randomly around the center of Oslo, we transit through gorgeous architectural scenarios. The center of the Norwegian artscene shows a mixture of romanticism and ratioanalism. We stop at Litterturhuset for a coffee, lots of smiles and people enjoying great food. We walk up the hill to check The Vigeland park and down again to visit the museum of architecture designed by Sverre Fehn, the only norwegian pritzker Price.

We walk around models and installations, where cool emerging norwegian architects under 40 show their latest ideas. Fredrik Lund was twice represented in this show, before he reached his forties, a unique case. We walk the streets again buying ice creams and sparkling water, walking along the Oslo government buildings and arrived at the harbor, next to the Snøhetta studio. We smoke by the water and talk about the current works.

A day later, we are travelling together across the country, passing mythical mountains, and stopping for dinner at the most traditional restaurants, tasting the moose and deer burgers by the national road, across the great park of Rondane. The dinner saloon is very old fashioned, we sit surrounded by stuffed weasels. As we leave the area, we stop briefly at the concrete architecture by his colleague Carl-Viggo Holmebakk, and catch the amazing views to the mountains we will soon be crossing.

Already in the city of Trondheim, we visit Fredriks artist's atelier at the NTNU, here he developes his professorship in architectural teachings, teaching as art. We know Fredrik now for ten years. Fredrik loves to visit Madrid, and to spend hours at the Reina Sofia Museum, studying the spanish and american masters in abstractions from the sixties. We have travelled to Cuenca together, where there is also a great collection of Spanish abstract painters, all surrounded by amazing landscapes, Fredriks main inspiration for his art. The fresh air and the view.

Just by framing the view the whole architectural concept has started, and that is the potential of the architecture of Lund, the empathy with the surroundings and the absolute control of the human activity that will happen inside the wooden walls. We are now ready to make dinner, another daily ritual, where Fredrik acts as guardian of the wonders of hot potatoes with butter and several fresh fish on a warm pan. While we eat in silence, we understand the ritual.

This conversation is part of the STRUCTURAL BASIS of FROZEN HEAT,

ONLINE ARTSHOWS (2014-2015) upcoming art series curated by LLLL

as satellites of LAPIEZA ART SERIES.

https://www.facebook.com/events/1425318387683929/?ref_newsfeed_story_type=regularhttps://www.facebook.com/PAULALLOVERAS/media_set?set=a.10151193813178077.481416.784313076&type=3

http://studiofredriklund.blogspot.no/
http://www.kunstnerneshus.no/kunst/
http://www.litteraturhuset.no/
http://www.vigeland.museum.no/en/vigeland-park
http://www.nasjonalmuseet.no/en/
https://www.facebook.com/pages/Sverre-Fehn/382608751854928
http://www.pritzkerprize.com/
http://nasjonalmuseet.no/en/?module=EventCalendar%3Baction%3DEvent.publicOpen%3BID%3D1510&template=exhibitionView_en
http://snohetta.com/
http://www.rondane-dovrefjell.no/steder/reisemal/
http://www.holmebakk.no/sohlbergplassen/photos.html
http://www.museoreinasofia.es/
http://www.march.es/arte/cuenca/coleccion/artistas/gerardo-rueda.aspx
http://www.ntnu.no/ansatte/fredrik.lund

RELATED VITAMIN 026 (II/-) 

El carpintero toma las medidas para puertas y ventanas, y aparecen todos los demás y miden y van a su taller y trabajan. Y luego el campesino remueve un gran perol con cal y hace la casa de un hermoso blanco. Conserva, sin embargo, la brocha, pues por la pascua del año que viene volverá a necesitarla. Él ha querido levantar una casa para sí y para los suyos y para su ganado, y lo ha logrado. Igual que pudo su vecino o su bisabuelo. Como puede cualquier animal que se deja llevar por sus instintos. ¿Es la casa hermosa? Sí, tan hermosa como lo son la rosa o el cardo, el caballo o la vaca. Y, vuelvo a preguntar: ¿por qué un arquitecto, tanto el bueno como el malo, deshonra el lago? El arquitecto no tiene, como casi ningún habitante de la ciudad, cultura alguna. Le falta la seguridad del campesino, que posee cultura. El habitante de la ciudades un desarraigado. Llamo cultura a aquel equilibrio de la persona interior y exterior, lo único que posibilita un pensar y un actuar razonable. Hasta ahora, la historia de la humanidad no contaba con ningún período falto de cultura. Pero entonces aparecieron falsos profetas. Dijeron: qué fea y qué triste es nuestra vida. Y lo reunieron todo de todas las culturas, lo expusieron en museos y dijeron: mirad, eso es belleza, pero vosotros vivís en una deplorable fealdad. Ahí había muebles que eran como casas, llenos de columnas y molduras, ahí había terciopelo y seda. Ahí había, sobre todo, ornamentos.

Adolf Loos
Escritos sobre la casa
1911-1930
https://www.facebook.com/pages/Adolf-Loos/109293425757058?fref=ts

Anto Lloveras Lapieza Relational Art Series Marisa Caminos Adolf Loos Fakultet for arkitektur og billedkunst

  — con Fredrik Lund, Anto Lloveras, Lapieza Relational Art Series y Marisa Caminos.

831__________SUMMER COLLAGES____FREDRIK LUND ________________________SUGAR SUNSET

ART BY FREDRIK LUND

http://studiofredriklund.blogspot.de 

WILD FLOWERS¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨EXHIBITION #74¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨***************************************SOCIAL CAPITAL AND relational NARRATIVES___________________ONGOING NATURALIZATION¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨

Adonis aestivalis

Anthemis arvensis

Anagallis

Agrostemma githago

Centaurea cyanus

Coreopsis tinctoria

Dianthus barbatus

Digitalis purpurea

Eschscholzia californica

Gypsophila elegans

Glebionis segetum

Papaver rhoeas

Silene latifolia

Viola tricolor

A wildflower (or wild flower) is a flower that grows in the wild, meaning it was not intentionally seeded or planted. The term implies that the plant probably is neither a hybrid nor a selected cultivar that is in any way different from the way it appears in the wild as a native plant, even if it is growing where it would not naturally. 

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961 MARTINKA BOBRIKOVA - OSCAR DE CARMEN - BED AND BREAKFAST PRAHA

962 SINQUENZA - BOTTLE IN A MESSAGE

963 PAUL DOEMAN - SET

964 FREDRIK LUND - BODY IN SPACE

965 NIKÉ NAGY - PINK AND GREY

966 MARÍA ENRÍQUEZ - DOS MUNDOS

967 ANA MATEY - CHAIR

968 TANIA ARIAS - IN THE WILD

969 MARISA CAMINOS - CLON - PUNTO DE FUGA (III)

970 TOMOTO - MEAT UPDATES ++ 115 ++

971 POL PARRHESIA - GOOD DEAL

972 MANOLO CALVO - CASA STUDIO MADRID

973 FRANÇOISE ROHMER - POTS - PROVENCE

974 TEREZA ERBENOVÁ - GARDEN AND STUDIO

975 JESÚS LEÓN - COCONUT - MEXICO CITY GLAM SERIES

976 MANUEL MAQUEDA - MIEL

977 RUBÉN BONET - ASFIXIA - CONSUMO Y FASCISMO

978 PAULA LLOVERAS - POLITICAL FILTER

979 LLLL - YOUTUBE BREAKFAST - HIGH CLASS (1)

980 ANTO LLOVERAS - PRAHA QUADRENNIAL - SITUATIONAL FIXERS

In biology, naturalisation (or naturalization) is any process by which a non-native organism spreads into the wild and its reproduction is sufficient to maintain its population. Such populations are said to be naturalised. Some populations do not sustain themselves reproductively, but exist because of continued influx from elsewhere. Such a non-sustaining population, or the individuals within it, are said to be adventive.[1] Cultivated plants are a major source of adventive populations. Naturalised species may become invasive species if they become sufficiently abundant to have an adverse effect on native plants and animals.

ART SHOW AND NARRATIVES 

BY ANTO LLOVERAS

CONCEPTUAL ARTIST AND RELATIONAL CURATOR

WITH ASSOCIATED WILD FLOWERS

ALL RIGHTS RESERVED

NEW SHOW

................................

THE WORD

...............................................

**************************************************

EXHIBITION #75 THE WORD

2016              *****

http://lapiezalapieza.blogspot.com.es/2016/02/the-word-exhibition-75-7th-season-2016.html

1000 

///////////////////////////////////////////////////////////////////

ART SERIES BY ANTO LLOVERAS

- DIRECTOR CURATOR -

AND 

ASSOCIATED ARTISTS

987______THE RUEDA GAME_____FREDRIK LUND - NORWAY____________________THE WORD 2016

ART BY FREDRIK LUND
http://studiofredriklund.blogspot.com.es

********************************************

EXHIBITION #75 THE WORD

2016              *****

http://lapiezalapieza.blogspot.com.es/2016/02/the-word-exhibition-75-7th-season-2016.html